The sound of Katy Perry's Witness album is pretty awesome. It's custom-made for club dance floors, and several songs may even make the Top 10 (apart from "Chained to the Rhythm," which already has).
I'm Clifford Stumme, and I use literary analysis and research to explain the deeper meanings of pop songs. Feel free to leave a comment or to email me at clifford@popsongprofessor.com with questions or ideas!
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The sound of Katy Perry's Witness album is pretty awesome. It's custom-made for club dance floors, and several songs may even make the Top 10 (apart from "Chained to the Rhythm," which already has).
And we continue marching through Starboy by The Weeknd. It's my goal to explain the whole thing, and we'll see if that happens, but we're going to try. In the meantime, "Six Feet Under" is one of the more interesting songs on the Starboy album if you consider that it's one of the only songs that it isn't about him at all. Most of the other songs on the album, The Weeknd uses first person pronouns like "I" or "me." But in "Six Feet Under," he keeps purely to describing a character or person he has in mind.