Welcome!
I'm Clifford Stumme, and I use literary analysis and research to explain the deeper meanings of pop songs. Feel free to leave a comment or to email me at clifford@popsongprofessor.com with questions or ideas!
I'm Clifford Stumme, and I use literary analysis and research to explain the deeper meanings of pop songs. Feel free to leave a comment or to email me at clifford@popsongprofessor.com with questions or ideas!
All tagged explanation
I've never really listened to Arcade Fire until recently, and I still hadn't explained any song but "I Give You the Power" until now, but I've got an old work associate who every time I see him asks if I'm going to start explaining Arcade Fire. And I honestly wasn't enthused about the idea. They aren't as popular as the bands I usually review, and I didn't know what to make of them.
I've always been a bigger fan of Katy Perry's sound than of her lyrics, and I think that sometimes pop stars put their music above their lyrics. In fact, they may do that most of the time. After all, when you think of pop music, do you think of dancing and good times, or do you think of careful consideration of abstract concepts? Well, since you're here on my site, maybe you're one of the few who would say the latter.
I've been waiting for The Weeknd to release new singles from his upcoming Starboy album! He's an excellent musician, and I think when I first started explaining songs, he impressed me because he was proof that a pop artist could write about deeper things while still being incredibly "poppy." The Weeknd proves it in songs like "Can't Feel My Face," "The Hills," and "Starboy."
Wesley Schultz (the lead singer) opens up with, "When you left this town, with your windows down / And the wilderness inside." He hasn't completed a full thought, but we can already see that Angela is leaving behind something difficult, and that all is not well with her. It's as if though she's leaving the windows down to embrace new found freedom and to be closer to the nature around her. She's trying to let go and let all of her anger flow out of the open windows. But the true wilderness isn't the forest flying past her. It's inside of her. Her own thoughts and feelings are mysteries to her.
It's time for a throwback song explanation--we're going old school today. There are few songs of the last forty years that have had the impact on listeners that "Dust in the Wind" has had. For one thing, it's deeper than most songs. Anyone who throws it up next to any Justin Bieber song (or almost any current Top 40 song besides "Stressed Out" by Twenty One Pilots) is going to understand immediately that "Dust in the Wind" is a song about something (even though it's oddly about nothing).It has meaning.
And it's finally time for my last explanation of a Panic! at the Disco song from Death of a Bachelor. It's been a while in coming, but it's finally time to wrap up this album. Ironically, we'll be wrapping it up with the album's first song: "Victorious."
My explanations aren't usually this quick, but I wanted to make sure that I did explain all of the songs from Panic! at the Disco's Death of a Bachelor album. Thus, without much fanfare or introduction, I present my line-by-line explication of "Impossible Year."
The Lumineers' last album came out in 2012, and we all probably still listen to "Ho Hey"--I know I do. The band became famous very quickly and is known all over the world; Entertainment Weekly even calls The Lumineers "America’s answer to Mumford and Sons."
It's time to begin explaining the last three songs from Death of a Bachelor by Panic! at the Disco. The album's been taking some interesting turns and been maintaining a steady theme of looking back at happier, wilder days while keeping up a steady appreciation for how good the future can be with a little effort and determination to be the best. "House of Memories" continues this theme using intense, choral-esque music (a sound Urie calls "operatic and evil stuff" in the Twitter video below) backing Brendon Urie's waving, strong voice. He's the man caught in a storm, but among all of the wind and waves, he and his voice are standing strong, ready for whatever comes next.
Panic! at the Disco is really winning me over with the music on Death of a Bachelor. These songs are groovy and fun. Have you been able to appreciate how well put together the music is here? It's part Fallout Boy, part 1950's, part 1990's, and it's awesome. "The Good, the Bad, and the Dirty" is mostly Fallout Boy, and it's pretty intense.
I've been pleasantly surprised with Panic! at the Disco's songs that weren't the lead singles. There were plenty of good singles--sure--but I wasn't thrilled by the lyrics. Now, I'm kind of freakin' out over how good the album sounds. Death of a Bachelor sounds legit, and I'm loving it. There's a lot of throwback sound on here, and I've really been enjoying that. But I've also been enjoying the energy put into the singing; Brendon Urie's been doing a great job of making that energy powerful.
As you probably know if you're looking this up, Panic! at the Disco just came out with its next album, Death of a Bachelor--an album that tracks the progression and changes in the life of Brendon Urie, the only remaining original band member. And if you've been following along here on the blog, things have certainly gotten weird for him as we've seen in "Hallelujah," "Emperor's New Clothes," "Don't Threaten Me with a Good Time," "Death of a Bachelor," and "LA Devotee."
Panic! at the Disco's new album Death of a Bachelor (similarly named to one of the songs on the album that I've explained) just came out on Friday, and the album's pretty rocking. I'm excited to see where it premieres on the Billboard charts after it's been out for a week, but based on what Panic! at the Disco fans have been saying, I'd have to guess that it's going to be quite popular.
Welcome back to my explanation of "Untitled 2 (Blue Faces)" by Kendrick Lamar. If you haven't read Part 1 yet, you really should--it lays the foundation for what Lamar's song is about. If you haven't seen the video yet, here it is...
Time to freak out, fanboys and fangirls. T-swizzle's not done with 1989 yet. She just released an actual music video for "Out of the Woods," and I like it. You might like it too. I used to think the song was kind of boring--too poppy and WAY to repetitive--but this music video might have converted me. At the very least, it's an easy song to sing along with, and the music video gives more context for what the song itself means.
On Christmas Eve, Panic! at the Disco released the titular track for its new album Death of a Bachelor. The album (as Urie puts it) is a beautiful mix of Queen and Frank Sinatra. And this song likewise mirrors that mix. It feels like a crazy, no-holds-barred Sinatra-esque club-mix.
Chris Brown's out with his new album Royalty, and one of the songs on that album--my favorite so far--is "Little More (Royalty)." The song's smooth and strong and an enjoyable listen. I'll be honest though: I have rarely ever listened to Chris Brown, and what I have heard of him has been largely negative. Not that being explicit is always bad, but the fact that so many of his songs on this album are explicit concerns me. I've listened to a few others besides "Little More (Royalty)," and there doesn't seem to be a lot of variety on Royalty. His song "Back to Sleep," in a paraphrase of his words, is about "sexing" his girlfriend back to sleep after he comes home from playing a concert.
"Hymn for the Weekend" has got to be one of my favorite songs from A Head Full of Dreams by Coldplay. The song is slow, yet strong, and it features Beyonce's beautiful voice. The song's about as pop music-ish as Coldplay can get I think, and Chris Martin the lead singer, in an interview with the Wall Street Journal, backs me up on that.
"Birds" is a soaring song about hope and overcoming circumstances; the melody and other aspects of the music mirror that same upbeat, positive perspective. It's a fun song and definitely worth the listen.
