All tagged pop music explanation
I don't usually insert my opinion into my lyrics explaining blog posts, but I'll admit that "Dress" is one of the most interesting songs Taylor Swift has released to date. But it's not because the lyrics are deep or interesting or anything. It's the subject material. Never before has she gotten this sexy and this edgy, and if people are talking about anything controversial on Reputation, it's usually this song. But is this song really that sexual? Is it really that odd to hear from Taylor Swift? Yes, and, yes, but let's get into it anyway.
To be completely honest, you're not going to find out what celebrity this song is about by reading my blog. I could care less whether this song is about Joe Alwyn or Tom Hiddleston or Calvin Harris or whoever. The other blogs out there that write about that stuff do a fine job (when they're not shamelessly click-baiting people and wasting your valuable time). But what I do have for you is a near-literary breakdown of the lyrics themselves. I like finding out what Taylor means and what story she's telling, and "Dancing with Our Hands Tied" gives a great opportunity to learn a little bit more about her.
It's no surprise to fans that Taylor's latest album Reputation centers around a romantic relationship. Most of Taylor's public persona has been established by her numerous boyfriends and subsequent breakups, and in Reputation she uses that persona to her advantage, creating an almost satirical embrace and critique of the media's portrayal of her.
While the holiday that most people focus on during the new year is New Year's Eve, Swift entitles the final song on her album "New Year's Day" in order to highlight the fact that she doesn't want to just stick around for the party but for the aftermath as well: the clean up, the solitude, and even the bittersweetness of moments gone but memories made.
While maybe not the most notable song on Reputation, I think "Getaway Car" is one of the better written ones. It tells a clear story and uses some excellent imagery and metaphors that really make that story come to life for listeners. The music, while certainly still pop, is more stripped down than previous tracks and offers a laid back, thoughtful wistfulness as Taylor recalls past experiences.
Musically and lyrically "So It Goes..." (heretofore referred to as "So It Goes") reminds me of "I Don't Wanna live Forever." It's sexually focused, and it's very slick and intentional, verging on dark pop. The song is focused on some new boyfriend (the Internet would have us believe Joe Alwyn) who Swift finds attractive and who she apparently feels deeply connected with. The song itself though may prove to have further surprises.
"Delicate" maintains some of the new pop sounds that Taylor's been using throughout the Reputation album, but the lyrics truly seem more like old Taylor or even "Wildest Dreams"--a little sexual, a little edgy, but overall innocent and sweet, wanting something real from a new relationship. Of course, the relationship in "Wildest Dreams" was dying or dead, and the relationship in "Delicate" seems to be just beginning.
While "Don't Blame Me" continues shaping a Taylor Swift persona that few of us were familiar with before "Look What You Made Me Do," the music is certainly more toned back than what we heard in that song or in "...Ready For It?" The song's certainly still intense--especially those choruses--but interestingly this time it's the verses that are more stripped back--the antithesis to the hyped verses and chiller choruses of other songs that appear early in the album.
"I Did Something Bad" follows the same formula that we heard from "Look What You Made Me Do" or "...Ready For It?" Taylor Swift has turned over a new leaf, and is now a tougher, stronger, harder, version of herself. She's not going to roll over for anyone or wait for someone to come save her. She's ready to take control of her own life even if it means destroying her enemies.
Taylor Swift released Reputation on November 10th, and "End Game" is the first song new song that many of us heard when we started listening. This second track, which comes right after "...Ready For It?" is one of the most noteworthy tracks on the album because not only does it feature Ed Sheeran and Future, but it also heavily features the title of the album--Reputation--which suggests that this song is tightly tied to the meaning of the album overall.
Of all the new Taylor Swift songs, "...Ready For It?" may be the most unique and most "new." While fans weren't quite sure what to do with "Look What You Made Me Do" until the music video came out, and "Gorgeous" and "Call It What You Want" at least made a little sense as far as who we think Taylor Swift is, "...Ready For It?" left most of us scratching our heads. But that doesn't mean the doesn't mean something interesting, so let's get into it.
"Look What You Made Me Do" has to be the most contentious song of my Taylor Swift-listening lifetime. I thought "Bad Blood" was a departure for her, but "Look What You Made Me Do" seems to have even less to do with the sweet, pure, country singer in songs like "Mean" or "Our Song." Of course, Taylor Swift as an artist certainly is allowed to change and develop, but I don't think anyone six years ago or even three would have expected this. Of course, that's not me saying that "Look What You Made Me Do" is a bad song--that's for you to decide--but both music and lyrics are clear departures for her.
Think theology has no place in pop music? "Prayer in C" by Lilly Wood & The Prick has got a lot of theological argument in its lyrics, and it's mainly anti-theological.
What's the most intense and scary song that I could find on the local top 40 station? Definitely "Take Me to Church" by Hozier. There's no question. This song is heavy and full of meaning. And it happens to be very culturally relevant. http://www.youtube.com/watch?v=MYSVMgRr6pw
